Kievstar Big Phone

Leave your Freud jokes yourself. You see the product of serious international collaboration. Flick, which has opened the season of 2011 for us. To say that we are kinda happy with it is as to say that Serge Gainsbourg is kinda French. And a bit of a drunkard. On this project, we began to use our own new time-recording system for tasking and quality control big time. But we will not tell you about it. It’s a Secret. Better take another look, the result speaks for itself. And whospread that rumors that agencies are evil and clients are whimsy? Guys, helloo, wake up. Wake up and get a fucking life. Try to love the comments as we do. Work harder. Make a world a better, no, a better-looking place.

The project promised to be an ordinary one. As if we separate projects as ordinary and special. For us, any project is special. Any project is ordinary.

The phone’s design was found by accident during the pre-production test. Unexpectedly we got approved animation and approved phone design. Animation has evolved from very complex and spectacular to the simple and tidy one . The phone has been changed beyond recognition. What was curious problem, since it has to stay modern. But the movie is not suppose to sell it.

Technically, the work had a lot of interesting nuances and challenges. In addition to the phone we had to create the impression of working mall. But we filmed it in close-hours. Hey, do you have an impression that it was shot during the night?

And by the way, this is an anniversary press-release. Wow. Five years, we are doing effects for television and film. We take this opportunity to thanks to all our customers, partners, friends and supprtinh families. Thanks, guys, we are doing our best.